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Using the Vegas golden knights 2023 western conference champions stanley cup final shirt Besides,I will do this colorful spirit of his work as something of a Trojan horse for weightier ideas has long been Pesce’s M.O. The sophisticated planting walls and hydration systems of his Organic Building in Osaka helped popularize the idea of “living architecture”; His iconic “La Mamma” chair, whose bulbous forms recall both ancient fertility sculptures and a ball and chain, was intended as a feminist statement. “The beginning of a new idea is always egalitarian,” he says, with a shrug. “Ideas are always new, and the new always disturbs, but then, with time, it becomes familiar. This is the history of human beings.” Photo: Matteo CanestraroOver the past few years, interest in Pesce’s work has undergone a serious resurgence as the dial has moved once again towards maximalism—a kind of pushback against the homogenized tastefulness of the previous decade’s predilection for cool tones and Scandi style. (“Quiet luxury” his work certainly isn’t.) Upon visiting the installation on the first day, Pesce found himself surrounded by fans. “They told me that the local people really enjoyed it, and that meant a lot to me,” he says. Many of those fans were local design students, to whom Pesce has become something of a heroic figure for his refusal to bow to trends and his unwavering belief that an interior design object can go beyond simple aesthetic interest, and actually have something to say.

“I went around a little bit in Milan [during Design Week] and I saw a lot of installations that are very minimalist, which is very boring,” Pesce adds, with a wry smile. “It’s important that the Vegas golden knights 2023 western conference champions stanley cup final shirt Besides,I will do this designs tell a story, that they’re not just comfortable, but they tell you their opinion. Not these stupid objects, like this one,” he adds, gesturing to the plush hotel sofa he’s currently sitting on. “In fact, not only are they stupid, but they are uncomfortable.” For Pesce, however, there was a silver lining: seeing the work of the younger generation who have been influenced by his iconoclastic approach to design. “I saw young people doing interesting things,” he adds. “I am Italian, so I am worried about Italian design, which is not as creative as it was in the ’60s, in the ’70s—now, companies like to work with designers that repeat themselves. With my work, I’m always pushing myself to try and do something innovative, and original, and to stay curious.”

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